Recordially, Lou Curtiss
  • Me and Tom Waits

    Tom Waits has a couple of new CDs out and in spots he still sounds like the old Tom I remember from our days at the old Heritage Coffee House on Mission Blvd. in Mission Beach. I was running the Wednesday Night Hoots (that’s Hootenanny) the first time Tom came in and played some time […]

  • Me as a Radio Host

    I’ve been hosting a radio show this past year or so on the world music webcast, which is actually an Internet show and requires that you have a computer to listen in. However, that is the only up-to-date aspect of the program; everything else about it is an attempt to recreate the kind of radio […]

  • The Cowboy

    Last month I heard from my old friend Bob Bovee that our mutual friend Glenn Ohrlin, maybe the greatest cowboy singer that ever lived, had passed on at age 88 in Mountain View, Arkansas, where he had made his home for many years. It was only about 10 days before his passing that he’d been […]

  • Lou Curtiss Sound Library Digitization Project

    Russ Hamm and I are starting in on the work of transferring the material in my library to digital format. As I told you previously, the Grammy Foundation gave us a grant to do just that. Mostly the material we will transfer will come from the series of festivals we did from 1967 thru 1987 […]

  • I Got to See all the Good Bands

    Someone suggested to me that I get one of those t-shirts that reads “I may be old but I got to see all the good bands.” Well that may be so, but the problem with that shirt is the electric V shaped Electric Guitar on it. It should be a Mosrite double-necked electric with the […]

  • Rare Records: The Birth of Black Blues and Jazz

    Black history on record started with orchestra and gospel music by groups like the Fisk Jubilee Singers and the Jim Europe Military Band and a few vaudevillians like Bert Williams, Robert Woolsey, and Laughing Jim, but black jazz started with Mamie Smith’s Okeh 4169 “Crazy Blues/It’s Right Here for You.” Both songs were described on […]

  • Sam Chatmon, San Diego Bluesman Talks with Lou Curtiss

    Sam Chatmon was one of the most remarkable individuals I have ever known. During the years he spent in San Diego (1966-1982, where he became an important part of the blues scene), I had a many chances to sit and talk with him. This excerpt is taken from one of those conversations. I was born […]

  • A Night Out at the Bostonia Ballroom

    I’d only been in San Diego about a week. It was September and it was hot. My uncle Tony called them Santa Ana winds. They sure were blowin’, but we all climbed into that big old stake truck, held on to the slats, and headed off from Chula Vista out to the country east of […]

  • Utah Phillips: The Man, not the State

    It was along about 1969 that I first became more than aware of U Utah Phillips. Now, I had heard of Bruce Phillips some time before that from an old Prestige International long-play record that I had picked up from time to time, which Rosalie Sorrels had written the notes for, and I’d seen that […]