Chickenbone Slim and the Biscuits: Damn Good and Ready!
Jacob Najor: Drummer With All the Right Grooves
Holly Hofmann’s Jazz Heroics
GRAMPADREW: Existential-CowPunk-Flim Flam Man
Ron Houston: A Long Road Home
A Lifelong Conversation with Matthew Strachota
Remembering Dane Terry
Slow Down, Sip Your Drink, and Listen
In the Midst of Plenty: A New Folk Musical
Jeff Beck: A Tribute
Arlo Guthrie and Richie Furay Release New Songs of Pandemic and Patriotism
John Prine: An Appreciation
Remembering a Gentle Soul: David Olney
Ray Bonneville Brings His Musical Masala to San Diego
Dar Williams’ Journey Through a Thousand Towns
Examining Bob Dylan’s Love Sick Blues
John Densmore: An Invitation to Dance on Fire
A Father’s Day Story: The Courtship of Harry Nilsson’s Son, Zak
Jazz 88 Keeps Pumping Out the Tunes: Station persists despite numerous challenges over the years, including Coronavirus
Me and Ronnie Earl
San Diego Is (Almost) Famous Again: Cameron Crowe Brings his Movie to the Old Globe Stage
The End of the Line for Mad, the Magazine That Was Satirical, Silly, and Serious
THE HOSPICE BUBBLE and Other Devastating Affirmations: Poems by Lizzie Wann
You’ll Get Pie in the Sky When You Die
LENNY BRUCE: Word Blower Supremo (and the brother that you never had)
Blacktronika: Afrofuturism in Electronic Music
The Kazoo: Not Just an Annoying Party Favor
Words and Music: The Singing Trees at UCSD
Everything You Didn’t Know About Whistles!
Celebrating the Stylophone
What Looms, Revisited: A.I.
Limiter: Mastering the Mix Raises the Roof
Jeffrey Joe Morin’s Songs for Ginny
Big Quiet Steps: Presonus Moves Studio One into New Directions with Version 6
Luck of the Irish
Bluegrass News for March
A Bluegrass New Year!
Bluegrass and the Holiday Season
How to Participate and Enjoy Bluegrass Jamming
Summergrass
The Beat Movement and Coffeehouses
Fiddle Contests
The Best Damn Blues Singer in Memphis!
Jody Reynolds and the Storms
How to Produce a Wild Street Fair
Jeff Buckley Revisited
The Live Album
RUSH
Upward Social Mobility
Danger
Pass It On
The Return
Gain, Volume, Loudness
Do You Really Need All of That?
¿Por qué no los dos?
March Music News
Looking Back
The Beatles’ Covers Chart Top 100 (1963 -2023)
For Your Information
FYI/November Edition
Gone in 48 Hours
Music and the Law: Band Member Agreements
How to Get Your Music Placed in a Film or Television Show
How Much Does an Artist Get Paid per Stream?
Music in Sports: An Interview with California Sports Lawyer Jeremy Evans
The Role of a Record Label
This Machine Kills Fascists
Everything’s Riding on This
THE DRABS: Hurry Light
ASS POCKET WHISKEY FELLAS: Third Flagon
THE TOURMALINERS: Surfidia
VANESSA COLLIER: Live at the Power Station
MRS. HENRY: Keep on Rising, Act II: Faith, Fate, and Hope in the Land of Nothing Matters
Lady Brain Presents “Home is Where the Art is” Holiday Party and Clothing Drive
How Did You Get Here?
Aging Rockers and Fixed Incomes
Doors of Change: An Environment of Trust
Notes from Desert Trip
Full Circle
The Value of Things
ALTRUISM
For the Record
The Final Cut
Nifty Nasties
Paul and Me (and Ocean Beach)
A Child’s Garden of Vinyl
This Is No Parasite
A Look Back at the Year That Wasn’t
Viva Troubadour!
I’ll Be Doggone
Nothing Spells Success Like Failure
Let’s Face It
Notes on On the Beach by Neil Young
Beehives and Hand Claps: The Enduring Quality of Girl Groups
Wow by Moby Grape
Odyssey & Oracle in Wax (or how I found my groove)
School Girl Crush
The Last One
The Mothers of God
A Light in the Dark
The Open Heart
Art and Memory
The Starving Musicians: Where to Eat in this Town
Where to Eat in This Town
The Starving Musicians: Where to Eat in This Town
This machine kills fascists. —Woody Guthrie Woody had this phrase written on his guitar in one form or another, in big, bold, black ink. Inspired by Woody, Pete Seeger etched...
Everything’s riding on this. —David Crosby I say it all the time backstage, before the show starts. It helps to loosen folks up and get a...
