As Ken Graydon Lay Dying

Ken Graydon

Forgive me, Ol’ Pard, but I want to get this one in for you before your great heart stops beating. Something in me rebels against the thought of writing in the past tense of a man who is larger than life, “a genial bear of a man” who has inspired as many songs as he has written, who represents the last of the dying West, and perhaps the last of the just, and proves every day that as long as the sun sets in the West, there will be a cowboy to watch it go down.

You have been that cowboy for me. Oh, I know you tried to fool us modern sodbusters and “Death Valley 49ers” by writing songs of the sea too, like your classic “Whaler’s Tale,” and even train songs like your “Coyote Special,” but we both know where your heart came from — the days when your father was a working cowboy in Seligman, Arizona during the 1920s, from whom you inherited your love of horses, boots, and saddles. So humor me, Ken, and let me hold off on the sails and rails for a few minutes. You were a man who wore many hats, but your cowboy hat fit best. I hope Phee doesn’t mind, either.

Ken and Phee (Ken Graydon and Phee Sherline) are rarely seen apart; they appear almost like one musician with two instruments — she plays the hammer dulcimer and he plays a big 12-string guitar — matching his booming bass voice with its powerful bass runs. Ken doesn’t play anything “fancy on a stick,” as Woody Guthrie once described his own playing, just the right chord and the right strum at the right time, always keeping the song and its story front and center.

Ken is the spiritual godfather of Songmakers, the quintessential folk singer/storyteller who could always turn a good yarn into a good poem or song. Nothing was off limits; even his own brain cancer inspired this rattling good cowboy poem about every debilitating side effect of the medications that would hopefully save his life:

MEDICINE TALK

by Ken Graydon, January 2011

While reading through the warnings

Of these pills I take each morning,

The feeling comes aborning

That something is awry.

For that which happens to you

As each slowly courses through you

Can cause a sort of voo-doo

When they join and multiply.

For each new medication

Seems to add more information

That further ingestation

Could bring consequences dire.

And as though this weren’t enough

When the going’s really tough

They’ll make it rather rough

’Cause then they’ll get together and conspire.

Levetiracetam can run antic

It can sometimes leave you manic.

It can cause attacks of panic,

Make you hear things that aren’t there.

It’s designed to ward off seizures

Which can sneak up in your leisure

But it’s dangerous for geezers

For their complications flare.

It can cause hallucinations

And other aggravations

Such as hyperventilation.

Insomnia comes in rollers tidal.

Fevers, chills and rashes may come visit

And you start to wonder “Is it

Time to bite the biscuit?”

It can make you suicidal.

Famotidine’s for fighting reflux

Which is similar to upchucks

And I can tell you, it sucks

When a belch disturbs your sleep.

Use caution if you’re older

For it tells you in the folder

That consequences then grow bolder.

They’re enough to make you weep.

And then there’s Dexamethasone.

This one goes right for the bone.

If you’re osteoporosis prone

It helps you on your way

Along with fever, seizures, chills

A myriad of mental ills

Like weakness, sadness, losing wills,

All for a moderate co-pay.

It says there that your bones might break.

Perhaps your back and head could ache.

It might at night keep you awake

Or give you indigestion.

Do not despair. It’s no upsetter

For the statement’s made in big bold letters.

It’s all designed to make you better.

Now, have you any questions?

Posted by DeathValley49ers

Ken was born October 30, 1933, in Long Beach, California, and grew up in Bakersfield and Delano, where he raised and trained horses with his father, though, as he put it, he had enough sense not to ride a bronc or a bull in rodeos. His mother designed the family home, an adobe ranch house she filled with Indian and Mexican pots and artifacts, in the San Joaquin Valley north of Bakersfield. In addition to horses, the family raised cotton and olives.

I first met Ken and Phee at the Claremont Spring Folk Festival in the 1980s, where year after year we would share the closing ceremonial sing along on their outdoor stage. Ken did workshops on cowboy songs, of course, but also railroad songs and sea shanties. Not surprisingly for this cowboy poet, he was particularly devoted to shanties of the West, observing that most songs of “the sea” came from the Atlantic. He tried to balance the books by adding songs from the Pacific.

But unlike many cowboy poets and singers, Ken gave his Southern California roots away by not turning his nose up at the counterculture that set him apart from your typical lasso spinning, guitar slinging western bard. On the contrary; he celebrated it in one of his best songs —

IT’S TIME TO START SINGING AGAIN

He wrote songs in the sixties that prodded the conscience of the nation

And the words that he chose to use mirrored our own indignation

And some called him Bobby and some called him Phil

Or Richard or Johnny or Len

Now the voices have changed but the message sounds clear

It’s time to start singing again.

(Chorus)

So give me your words. Tell me what’s on your mind

Show me what needs to be shown

Come raise up your voices and pour out your song

Let me know I’m not singing alone.

From Selma to Birmingham, Chicago, New York and Seattle

He sang us the news and the hopes and the fears of the battle

’Til it blew in the wind and it hammered and rang

And the whole land was singing and then

It shimmered and echoed and faded away

Now it’s time to start singing again

Now the years have gone ‘round and the

circle’s come full in its turning

And it’s time to be heard while liberty’s torch is still burning

For there’s power in music that can’t be denied

And it comes ‘round again and again

But no one can listen if nobody sings

So come and start singing again.

(transcribed from Ken’s website.

Ken Graydon once said that the cowboy and sailor have a lot in common. They both live outdoors and use the stars as landmarks. He’s been collecting and writing songs of the sea for years, noticing that most of the sea songs are based in the Atlantic. He’s put some exciting Pacific sagas to music and collected songs from this ocean that are often quite different from their Atlantic counterparts. (source: www.kengraydon.com) Here is one that has traveled around a good deal, based on a true story recounted by San Francisco whaling captain Charles Melville Scammon from the California Gold Rush:

A WHALER’S TALE

Words and Music by Ken Graydon

(Recorded by Tom Lewis.)

 

I signed aboard this whaling ship, I made my mark it’s true,

And I’ll serve out the span of time I swore that I would do.

But I’ll not man your boats again, though you cast me in the sea,

For I tell you sir, them fish can think as well as you or me!

Just yesterday the lookout’s call had bent us to our work,

I took me place like all the rest, I’d not be one to shirk;

Now 13 men’s been drownded, and no more of them we’ll see,

I’d take an oath, them fish can think as well as you and or me!

We pulled our boats abreast the pod, the steersman took his stand;

He had no time to make his throw, when the oar flew from my hand,

Just then a great fluke smashed our boat, that whale I didn’t see,

But I believe them fish can think as well as you or me!

For then them whales destroyed our boats, they rammed them one by one;

They stove them all with head and fluke and after they was done,

We few poor souls left half-alive, was clinging to debris,

I’d stake my life them fish can think as well as you or me!

The way them whale fish went for us, it seemed as though ‘twas planned,

For each one had his target boat, they played us man for man;

Just knowing’ now they think so clear, my heart says let them be,

I swear to God them fish can think as well as you or me!

Now John is blind, Jim’s lost an eye and Caleb’s lost below;

My leg will heal but other men no more aloft can go,

So I’ll not man your boats again though you drown me in the sea,

For I tell you sir, them fish can think as well as you or me!

According to Ken’s wife, Phee Sherline, who detailed the song’s origins for the Mudcat website, Scammon’s book (1875), The American Whale Fishery is a notable work. I believe he also wrote a book with a title similar to Marine Mammals of the Pacific, which was considered a definitive text. Ken’s song is fiction but tells what possibly could have happened when Scammon entered the lagoon.

Ken rides one other hobby horse that must be mentioned to let those outside of his wide circle of friends have some measure of the man: Before he was diagnosed with brain cancer last year Ken continued to write and perform but spent much of his time “wrangling a different kind of horsepower — cars. His specialty is wiring hot rods.”

As a matter of fact, his skill as a mechanic served him well as a folk singer too, for when Ken and Phee took their show on the road in their sturdy one-room motor home, Ken was always able to keep their performance dates by keeping their “horse” in optimal running condition. While Phee would work up their bookings on the computer, Ken would work on the engine, brakes, and whatever else needed fixing to get them there.

A master storyteller and craftsman with words and music, as well as horses, ships, and steam engines, Ken took his deadly illness and subsequent radiation and chemotherapy as one more challenge to write about. With the telltale meter and internal rhyme scheme of the cowboy poet, he addressed his own mortality with the same clear-eyed sense of humor and down-to-earth honesty that speaks to his innate strength of character.

To sum up, Ken Graydon is a mensch, dying with the same quiet nobility with which he has always lived. In this wonderful poem, one may easily imagine Tevya talking to God, if Tevya had worn a cowboy hat:

NUFF!

by Ken Graydon, December 2010

Now we’ve all heard the word that the almighty Lord

Doesn’t send you a thing you can’t take.

Just reach down inside and you’ll find he’ll provide

What you need to succeed some bad break.

If you sit there and whine you’ll be sure to resign

And that will be no use at all

And I’ve often heard said that what don’t make you dead

Makes you stronger when your back’s ‘gainst the wall

For each tribulation there’s a grand explanation.

That it’s left up to you to discern

And sooner or later in the depths of each crater

There’s some wonderful secret to learn.

No use in cryin’. You’ve got to keep tryin’.

The answer just lies deeper down.

When He hands you a big’un if you keep on diggin’

There’s some treasure deep down to be found.

I know men of faith say whatever he sayeth

Comes true when you’ve shelled to the cob

And he’s give me this task for which I did not ask

’Cause he figures I’m up to the job.

Considerin’ this matter I guess I should be flattered.

I s’pose most men more pious would be.

But, sisters and brothers, if I had my druthers

I wish he’d quit braggin’ on me!

Ken, from now on every time I sing a cowboy song, a sea shanty, or a railroad song, I’ll hear your voice too, and to quote a great songwriter, I’ll know I’m not singing alone. Adios, Ol’ Pard, and thank you for a lifetime of trails, sails, whales, rails, and tales.

This piece was written and posted for FolkWorks on July 29, the day before Ken passed away from metastasized melanoma July 30 around 7pm. Phee had just sent out a cancellation notice for the annual campout folk music gathering scheduled for that same weekend. I strongly believe that Ken was trying to hang on for one more campout and despite the cancellation, about 20 members of Songmakers showed up to “sing Ken back home.” Phee also tried valiantly to read my words of appreciation to Ken, but he went into a coma the night before, and we can only guess if Ken received any of our words and music. Our favorite singing cowboy was surrounded by a loving family (Phee and their three children), friends, and attentive hospice caregivers. He died as he had lived: with dignity. Ken was a local hero — and a national treasure..

Ross Altman has a Ph.D. in English. Before becoming a full-time folk singer he taught college English and speech. He now sings around California for libraries, unions, schools, political groups, and folk festivals. You can reach Ross at Greygoosemusic@aol.com

 

REPRINTED FROM FOLKWORKS WITH PERMISSION (www.folkworks.org)