SANDÉ LOLLIS: Between Things Not Remembered

Sandé Lollis’ second solo album, Between Things Not Remembered, marks a triumphant return as well as her first release since stepping away from her long-time trio, Enter the Blue Sky. This deeply introspective collection dives headfirst into themes of personal growth, self-discovery, and the complex journey through emotional struggles, healing, and connection. Lollis herself describes it as a space where womanhood, feminism, and even activism find their voice, saying, “I’ve never been political, but I’m finding ways to express my values through songwriting.” Backed by a powerhouse ensemble of local music legends, who deliver with precision and heart, the album’s 12 tracks come alive with soul and purpose. Naturally, I couldn’t wait to give this album the full immersive treatment—cranked through the good speakers, top to bottom—and here’s what I found.

I Just Don’t Feel Right
Sandé’s instantly recognizable vibrato grips you from the opening lines. The pacing of this track is thoughtful, carrying lines like, “Lately I don’t feel so nice/ I keep looking for the meaning,” with a resonant emotional weight. Cathryn Beeks on backing vocals on this track and throughout the album was a wise choice. A vibrant songwriter and singer in her own right, she delivers a perfect tone-match and blends beautifully.

The Water Won’t Tell
This is folk storytelling at its finest. With lyrics like, “I could rise up to heaven or sink into hell/when it drags me down under/water won’t tell,” Sandé’s voice conveys a haunting beauty that feels almost mythic. It’s the kind of song that cements her as a folk icon.

I’m Human

This is my favorite song on the album. The privilege and joy of getting to hear this song from its early stages to hearing it fully produced is unmatched. Dynamically, this song has all the elements of a pop folk hit and should honestly be on the radio right now. Jeff Berkley’s electric guitar work adds a driving momentum, complementing the song’s nostalgia. “Hitching a ride in a Chevy Malibu/The chrome and leather make me think of you.” Chrome and leather is such a specific olfactory memory, I was suddenly transported to sitting in my dad’s Mustang at 12 years old. The yodeling “oooh” is an addictive hook, one that lingers in your mind long after the song ends.

Sally B
This track is the epitome of classic folk—a stirring, timeless tune that could sit proudly alongside the works of legends like Bob Dylan and John Denver. Shawn Rohlf’s harmonica work seals the deal, adding an evocative, golden hue to the song’s rich narrative. At its heart is Sally, a fierce and empowered figure leading the charge, rallying the men in her life as she becomes a beacon of strength and unity. Set against the backdrop of a historical fiction that feels strikingly relevant, the song captures a bold sentiment: “women are coming into their own.” It’s both an anthem and a reminder of the unstoppable tide of feminine resilience.

I Believe
In this autobiographical anthem, Sandé sings, “I’m never gonna be Wonder Woman or Supergirl. I just put pen to paper/sing my song/for that moment I believe I can fly.” It’s a love letter to songwriting and the creative process, resonating deeply for artists everywhere. We can’t change the world, but what if we could?

Hammer of Time
My compliments to a band that recognizes that the lyrics are the star of the show here. Sandé’s voice is maternal, comforting, experienced. Her “oh-oh” vocalizations evoke a deep emotional release, and I’m left with a melancholy feeling,  reminiscent of Joni Mitchell’s “Circle Game.” This song feels like the heart of the album, tying its themes together beautifully and lending the album its title within its lyrics.

You’ll Be the Freedom
A love song steeped in metaphor, this track features Berkley’s gentle licks that delicately heat up the lyrical narrative. Jason Littlefield on bass is a solid glue that connects all the pieces together. It’s a warm song that speaks to Sandé’s ability to craft intimate musical moments.

Settle Down
Almost written like a hymn, “Settle Down/Take comfort in my skin,” speaks to the importance of human connection. Is she talking to herself or someone else? I love where Sandé’s voice breaks at the top of her voice. It forces you to pay attention.

Spellbound
Born from a Writers’ Round San Diego prompt, this song exudes an eerie beauty. The synth-driven soundscape of the chorus radiates images of northern lights, with a melody that’s as enchanting as it is mysterious. The harmonies in the bridge take an unexpected turn, avoiding the usual thirds and fifths with a satisfying twist.

She
This upbeat track has an Irish folk vibe that catapults listeners into a joyous rhythm. It’s a brief but lively detour that showcases Sandé’s versatility, while maintaining her specific brand of folk ending with gorgeous harmonies that force you to sing along.

What Am I Saving Myself For
In this self-reflective song, Sandé asks, “What am I saving myself for?” A more inexperienced songwriter would default to “What am I waiting for?” but Lollis asks deeper questions with fewer obvious answers with this thematically aligned piece on purpose and drive.

Here Comes the Rain Again
A fitting Eurythmics cover, this track highlights Sandé’s interpretive prowess. Danny Campbell’s drumming adds a dynamic edge, while Sandé’s voice brings an Annie Lennox-like strength and clarity. It’s the perfect closer, blending her own lyrical brand with an instantly classic reinterpretation.

Sandé Lollis has delivered an album that feels personal yet universal, reflective yet forward-looking. Between Things Not Remembered is a testament to Lollis’ talent for weaving narrative and emotion through her songwriting and a must-listen for folk enthusiasts or anyone looking for a lesson in brilliant songwriting and evocative vocal performance.

Between Things Not Remembered credits: 
Engineered and mixed by Jeff Berkely at Satellite Studios
Mastered by Robb Robinson of Robinson Mastering
Guitars: Jeff Berkley 
Bass: Jason Littlefield
Harmonica: Shawn Rohlf
Vocals: Sandé Lollis and Cathryn Beeks

All songs written by Sandé Lollis except “Here Comes the Rain Again,” written by Annie Lennox and David A. Stewart.

Sandé and her band will be performing her album release party on February 21, 6-8pm at the Normal Heights United Methodist Church. You can get your tickets here.